Love, Friendship, Beauty, and the Good: Plato, Aristotle, and the Later Tradition
(eBook)

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Wipf and Stock Publishers, 2018.
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APA Citation, 7th Edition (style guide)

Kevin Corrigan., & Kevin Corrigan|AUTHOR. (2018). Love, Friendship, Beauty, and the Good: Plato, Aristotle, and the Later Tradition . Wipf and Stock Publishers.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Kevin Corrigan and Kevin Corrigan|AUTHOR. 2018. Love, Friendship, Beauty, and the Good: Plato, Aristotle, and the Later Tradition. Wipf and Stock Publishers.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Kevin Corrigan and Kevin Corrigan|AUTHOR. Love, Friendship, Beauty, and the Good: Plato, Aristotle, and the Later Tradition Wipf and Stock Publishers, 2018.

MLA Citation, 9th Edition (style guide)

Kevin Corrigan, and Kevin Corrigan|AUTHOR. Love, Friendship, Beauty, and the Good: Plato, Aristotle, and the Later Tradition Wipf and Stock Publishers, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID590dd922-11ea-845d-26f2-b6fb6c85b2d5-eng
Full titlelove friendship beauty and the good plato aristotle and the later tradition
Authorcorrigan kevin
Grouping Categorybook
Last Update2023-08-16 20:05:01PM
Last Indexed2024-04-17 02:54:41AM

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Image Sourcehoopla
First LoadedJun 10, 2023
Last UsedAug 17, 2023

Hoopla Extract Information

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    [synopsis] => This book tells a compelling story about love, friendship, and the Divine that took over a thousand years to unfold. It argues that mind and feeling are intrinsically connected in the thought of Plato, Aristotle, and Plotinus; that Aristotle developed his theology and physics primarily from Plato's Symposium (from the "Greater" and "Lesser Mysteries" of Diotima-Socrates' speech); and that the Beautiful and the Good are not coincident classes, but irreducible Forms, and the loving ascent of the Symposium must be interpreted in the light of the Republic, as the later tradition up to Ficino saw. Against the view that Platonism is an escape from the ambiguities of ordinary experience or opposed to loving individuals for their own sakes, this book argues that Plato dramatizes the ambiguities of ordinary experience, confronts the possibility of failure, and bequeaths erotic models for the loving of individuals to later thought. Finally, it examines the Platonic-Aristotelian heritage on the Divine to discover whether God can love us back, and situates the dramatic development of this legacy in Plotinus, Iamblichus, Proclus, and Dionysius the Areopagite.
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